Personally I don't get the appeal behind this - a weird photo taken to huge flashing lights. Seemed more like a tech demo if anything. But I do definitely appreciate the time taken to the audio synchronisation and the detail taken to the effect work, so it's still alright.

Oh btw... are you the same Gerkinman that used to post at OverLooked ReMiX? Your name sounds familiar... :P

Not so much raw DnB but more like hints of DnB fused with Ska... which isn't a bad thing at all x)

For a first attempt at this sort of thing, it actually isn't bad - appropriate instrumentation, great flow, and managed to show its greatest energy when the melody ends up as the primary focus. Those are pretty good arrangement ideas for sure.

Can't say I was particularly keen about some of your low-key transitions here, or rather that outside of the progression it felt more like a 2-loop variation of the theme given the DnB treatment. You do however tend to acknowledge your mastering weakness a bit here - for the most part it actually sounds fine, though one tip for the future is that your individual parts need to be a lot less muddy. In fact, everything except the kick would benefit with high-passes around their general frequency (e.g. snare's case, around 200-300hz, hihats around 5k depending on pitch); not only would they have more of a punch, but it also gives the other instruments around that range some time to come out themselves.

Hopefully this comes out okay - nice work either way :)

Gotta have to say, really love the arrangement and ideas here - didn't think I'd hear Green Hill interpreted like this. The piano writing and saxophone solo work is very good, and left a lot of room for being wowed here - very solid stuff.

However, the GM soundbank / muddy mixing really hurts the production a lot, especially considering what's available to write with today. It's generally more exposed on the drums more than the other instruments, and so would benefit from looking around for any free VSTs that may give this a lift. It's a shame, because otherwise the composition is just really, really nice.